Tag Archive for 'dennis hopper'

Couch Potato Pickings | Sweet Home Alabama, and other films based on song titles

Josh Lucas, Reese Witherspoon

The classic 1974 song Sweet Home Alabama was a controversial response by the band Lynyrd Skynyrd to Southern Man and Alabama - two songs from the 1970s by Neil Young that express anti-southern sentiments. Read more about that here.

Don’t expect any major controversy from this 2002 film though. It tells the story of New York fashion designer Melanie (Reese Witherspoon), whose betrothal to a Big Apple bachelor sees her returning to her Alabama hometown to persuade her estranged husband into finalising a divorce.

Patrick Demspey,Reese Witherspoon,Josh Lucas

Unlike Sweet Home Alabama the song, Sweet home Alabama the film exposes America’s north south divide in a fluffy rom-com kind of way.  With its message about the importance of a country gal’s roots, this movie’s much more focused on its sweet home message than it is on defending Alabama and the south.

It’s a sweet film though. Reese is great, and I find it hard to fault a soundtrack that features Avril Lavigne, SHeDAISY, Sheryl Crowe and Dolly Parton as well as country star Jewel singing the title track?

Reese Witherspoon

Now, what other films are based on song titles?

That question isn’t as simple as it sounds. Films based on the lives of singers or songwriters named after their biggest hits don’t count.  Take that other Reese Witherspoon film, Walk the Line, about the Life of Johnny Cash; the song didn’t exactly inspire the film did it?

And title songs especially written for the film don’t count either. That’s films such as Flashdance or Fame or Footloose, to name just a few of the Fs.

No, I’m talking films that are named after songs that already existed, in many cases long before the film stars were even born. Here are some of my faves:

Pretty Woman

Roy Orbison’s classic song inspired the title of this movie in which a rich Richard Gere hooks up with pretty hooker Julia Roberts. Hear the Big O singing it here.

Mamma Mia!

Mamma Mia! - Meryl Streep

Who’d have thought back in 1975 when this song topped the charts, that a story told through Abba songs would prove so successful? Come back soon for more about that.

Blue Velvet

Dennis Hopper

Bobby Vinton’s 1963 version of this song from the 1950s is featured several times during David Lynch’s surreal thriller. It only features once on this post - here.

Stand By Me

Stand By Me

This 1961 song by Ben E King inspired the title of this 1986 coming-of-age drama starring River Phoenix, and plays at the end, and here.

The Crying Game

This song was a hit in the 1960s for British singer Dave Berry. It was re-recorded by Boy George as the title song for this 1992 thriller about a fugitive IRA man who befriends a British soldier’s enigmatic ex-girlfriend. To hear the song click here.

Chances Are

The velvety tones of Johnny Mathis are perfect for this 1989 romcom starring Cybill Shepherd. The song is named after his 1957 hit. Chances are you’ll get to hear it if you click here.

One Fine Day

One Fine Day

The title of this 1996 romcom about a hectic day in the life of single parents Michelle Pfeiffer and George Clooney comes from the 1963 song by The Chiffons. One fine click here will give you the song.

Deck the Halls

This festive comedy about the dramas caused by a Christmas lighting display was named after that jolly carol with the fa la la refrain. I’d include a link but it’s not something you want to listen to in June.

Jeepers Creepers

Jeepers Creepers

This 2001 horror movie about two siblings who run into trouble after encountering a sinister truck, takes its name, and a crucial plot development, from the classic 1938 song.

When a Man Loves a Woman

Alcoholism and its effects on a relationship are addressed in this 1994 drama starring Meg Ryan and Andy Garcia. The movie’s title is taken from the song of the same name, recorded by Percy Sledge in 1966.

Sweet Home Alabama is showing on BBC3 tonight at 10pm

The Best view - Swing Vote

Swing Vote - Kevin Costner & Madeline Carroll

With the American presidential race getting scarier by the day, surely only the savage iconoclasm of Hunter S Thompson could do justice to the election’s madness and mendacity. Just imagine the ferocious spleen the author of Fear and Loathing on the Campaign Trail ’72 (his account of that year’s Nixon-McGovern contest) would have unleashed on god-fearing, moose-hunting, hockey mom Sarah Palin, aka “Caribou Barbie”.

In the absence of the great Gonzo journalist, who you will recall blew his brains out with a .44 calibre pistol in 2005, it appears we will have to make do with Swing Vote, a good-natured and mildly satirical comedy from little known writer-director Joshua Michael Stern, maker of 2005’s Neverwas (Neverwhat?).

Stern’s movie stars Kevin Costner as a loveable loser named Bud Johnson, a boozy slacker who lives with his precocious 12-year-old daughter Molly (played by the equally precocious Madeline Carroll) in a battered trailer in the town of Texico, New Mexico (which sounds made up but does in fact exist). Bud has promised the civic-minded Molly that he will vote in the upcoming presidential election but passes out drunk in his truck instead.

Swing Vote

A series of contrivances then unfold, with the outcome that the entire election hinges on Bud’s un-cast vote. As a result, the media descends on Bud’s home, and so do Republican incumbent Andrew Boone (Kelsey Grammer) and Democrat challenger Donald Greenleaf (Dennis Hopper). In the days that follow, as swarms of reporters hustle for a scoop, Boone and Greenleaf, and their slippery campaign managers (Stanley Tucci and Nathan Lane), bend themselves out of shape in an effort to sway Bud’s decision.

A series of hilarious spoof campaign ads show the consequences. Bud babbles a half-baked thought; the politicians pounce on it; and end up flip-flopping their most deeply held values. So Republican Boone comes out in favour of gay marriage and ecological preservation, while liberal Democrat Greenleaf starts making anti-abortion and anti-immigration pronouncements.

In the end, though, the movie is too frightened of alienating half its audience to take sides; so cautious about offending either the Red states or the Blue states that it sits on the fence. (Can a political satire be apolitical?) A bruising scene involving Mare Winningham as Molly’s estranged mother hints at the true desperation of America’s “working poor”, as Molly accurately describes Bud, but overall the movie prefers to aim for a mood of Capraesque uplift. Ultimately, Swing Vote, like Costner’s protagonist, is too benign to go for the jugular and settles instead for tickling us gently in the ribs.