Archive for July, 2009

The Best view | The Taking of Pelham 1 2 3 - Subway hijack remake goes off the rails

The Taking of Pelham 1 2 3 - John Travolta’s crook takes the train in subway hijack remake

The latest Hollywood remake rolls down the tracks – and with Tony Scott at the wheel you just know The Taking of Pelham 1 2 3 is going to be an out of control juggernaut.

Released in 1974, the original Pelham was a cracking thriller that pitted Walter Matthau’s grouchy New York Transit Authority cop against Robert Shaw’s ruthless crook in a tense and mordant battle of wits.

The set up of the new movie is the same as before: four gunmen hijack a crowded New York subway train - Pelham 123 - and demand a huge ransom to be paid within the hour ($10million, inflation-adjusted from the original’s $1million). Fail to meet the deadline and one passenger will die for every minute that the money is late.

The Taking of Pelham 1 2 3 - John Travolta’s crook hijacks a subway train

Instead of the standoff, however, between Matthau’s cop and Shaw’s gang leader ‘Mr Blue’ (his cohorts were ‘Grey’ ‘Green’ and Brown’, which is where Tarantino nicked the idea for Reservoir Dogs’ colour-coded criminals), the remake sets Denzel Washington’s diffident train dispatcher against John Travolta’s volatile hijacker.

Brian Helgeland’s script gives both men back-stories. Washington’s desk jockey Walter Garber (the name a nod to Matthau) is a transit executive who’s been demoted to train dispatcher pending the outcome of a bribery investigation, and Travolta’s ‘Ryder’… well, his past takes a while longer to emerge, by which time the duo are deep into the mind games that made the original so gripping.

The Taking of Pelham 1 2 3 - Denzel Washington’s train dispatcher finds himself in a subway hijack crisis

So far, so good. The fidgety Scott, however, was never going to be content with a duel of verbal thrust and parry between antagonists stuck on opposite ends of a phone – Travolta’s hijacker on the train; Washington the poor sap in the subway control centre. No, you can tell Scott is just itching to whip things into a frenzy  - with the result that the movie goes completely off the rails.

You can pinpoint the exact moment the film falls apart. With the clock ticking away, Washington’s unassuming everyman strides towards a waiting helicopter, and takes time out to conduct a tender phone conversation with his wife (hurry up, man, the hostages are about to die!). Then we’re up in the air (great view, Tony), Denzel’s on his way to becoming an action hero (groan) and Scott is going to get the chance to indulge in car chases and shoot-outs (even bigger groan).

The Taking of Pelham 1 2 3 - Denzel Washington’s train dispatcher becomes an unlikely action man

All this means there’s no room for the original film’s quirky supporting characters. Save for the leads, the only figures who make much of an impression are John Turturro’s canny NYPD negotiator and James Gandolfini’s stinking-rich mayor. The stars do play well off each other – Washington, packing a few extra pounds, holds back, while a pumped-up Travolta, sporting prison-inmate tattoos and porn-star moustache, goes deliriously over the top. Travolta describes the new film as “The Taking of Pelham One Two Three on steroids”. On steroids?! Is it any surprise the movie’s a train wreck?

Released 31st July.


To activate the sound in the trailer: hold your cursor over the screen to reveal the control panel and click on the volume control in the bottom right-hand corner.

At the Cinema | Coco Before Chanel

Coco Before Chanel - Audrey Tautou stars as legendary French fashion designer Coco Chanel

Coco Before Chanel, a sumptuous period drama about the early career of legendary fashion designer Coco Chanel, owes a big debt to another recent film about an iconic Frenchwoman who rose to fame in the first half of the 20th Century – 2007’s Oscar-winning Edith Piaf biopic La Vie en rose. Both films depict heroines struggling to overcome grossly deprived backgrounds and winning huge renown at the cost of tragic love lives. Audrey Tautou takes the lead role, and it’s not hard to see shades of Amélie’s cuteness behind Chanel’s steely resolve. For all her performance’s strengths, however, it’s unlikely that she’ll repeat Marion Cotillard’s Oscar-winning triumph.

Released 31st July.


To activate the sound in the trailer: hold your cursor over the screen to reveal the control panel and click on the volume control in the bottom right-hand corner.

Small Screen – this week’s top ten DVDS…

  1. Haunting in Connecticut
  2. House of horrors… Based on a true story, this supernatural chiller charts a family’s terrifying encounter with the dark forces lurking in their new home.

  3. Marley & Me
  4. Canine chaos… Jennifer Aniston and Owen Wilson play a married couple whose lives are turned upside down by a havoc-wreaking dog, Marley.



  1. The Young Victoria
  2. Stiff upper lip… Emily Blunt portrays the young Queen Victoria during the turbulent years of her early reign.

  3. Gran Torino
  4. Reformed character… Clint Eastwood directs and stars as a Korean War veteran who attempts to reform a teen gang member.

  5. Twilight
  6. Pain in the neck… Teenager Bella Swann moves to a small town in Washington and falls for her mysterious classmate, Edward Cullen, who turns out to be a 108-year-old vampire. Typical.

  7. He’s Just Not That Into You
  8. Heart of the matter… This star-studded comedy follows the romantic misadventures of nine individuals in their twenties and thirties.

  9. Confessions of a Shopaholic
  10. Bag lady… A young financial journalist, played by Isla Fisher, indulges her passion for shopping and falls for a wealthy entrepreneur.

  11. Bronson
  12. Behind bars… British actor Tom Hardy packs a punch in this biopic of notorious criminal Charles Bronson.

  13. Che: Part One and Two
  14. Rebel… Academy Award-winning director Steven Soderbergh’s two-part biopic charts the life of charismatic revolutionary Che Guevara.

  15. Slumdog Millionaire
  16. Hot seat… Questions are asked when a teen orphan from the slums of Mumbai makes it to the final rounds of India’s Who Wants to Be a Millionaire?


News Pup | 30 July 2009

With our regular News Hound barking up a different tree this week, one of her News Pups is out and about and sniffing out all the star stories.

paw-print.jpgFirst up we have The Apparently Multi-Talented Mr Jude Law who’s going to be a daddy again according to his publicist. No news as yet on the mummy-to-be. 

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paw-print.jpgWes Anderson’s foray into animation The Fantastic Mr Fox - with a voice cast topped by the Marvellous Ms Meryl Streep and the Gorgeous Mr George Clooney - based on Roald Dahl’s children’s classic is premiering at this year’s London Film Festival on opening night, 14 October. 

paw-print.jpgSchool of Rock helmer Richard Linklater has just signed on the dotted line to direct a rom-com called Liars focussing on a woman’s journey to President Obama’s Inauguration.

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paw-print.jpgCapt’n Jack Sparrow, aka The Delicious Mr Johnny Depp, is coming to our shores to educate his little darlings and is on the look out for a suitable school in Bath.

Stay tuned for tomorrow’s News Muse when the News Pup will be chewing over these stories as if she has a brand new pair of Jimmy Choos clamped between her canines…

Big Screen – this week’s top ten at the cinema…

  1. Harry Potter and the Half-Blood Prince
  2. It’s a kind of magic… Harry and his Hogwarts cohorts have to contend with a new potions teacher, Voldemort’s Death Eaters, and raging hormones in their sixth year at the School of Witchcraft and Wizardry.

  3. The Proposal
  4. Here comes the bribe… This romantic comedy sees Sandra Bullock plays a pushy editor-in-chief who forces her assistant (Ryan Reynolds) to marry her.


  5. Ice Age: Dawn of the Dinosaurs
  6. Sub-zero heroes… The third instalment in the animated franchise sees Sid’s attempts to start a family landing him – and his pals – in a strange underground world.

  7. Brüno
  8. Camp crusader… Flamboyant Austrian fashion reporter, Brüno Gehard (Sacha Baron Cohen), sets out to make a name for himself in the States in a series of controversial and cringe-inducing stunts.

  9. The Hangover
  10. Night to remember… Four friends travel to Las Vegas for a bachelor party. The next morning, they wake up with no memory of the night before!

  11. Transformers: Revenge of the Fallen
  12. Robots in disguise… This big-budget sequel sees Sam Witwicky again joining forces with the Autobots in their battle against the Decepticons; a battle, it seems, that may have started on Earth many years before…

  13. Public Enemies
  14. Cops and robbers… Michael Mann directs this Thirties-set thriller, in which FBI agent Melvin Purvis (Christian Bale) is tasked with bringing gangster John Dillinger (Johnny Depp) to justice.

  15. My Sister’s Keeper
  16. Family ties… Cameron Diaz, Abigail Breslin and Alec Baldwin star in this adaptation of the Jodi Picoult novel about a young girl suffering from leukemia and the efforts of her family to keep her alive.

  17. Moon
  18. Lost in space… An astronaut who has spent three years on the moon with only a robot for company begins to have some unnerving hallucinations.

  19. Antichrist
  20. Cabin fever… Lars von Trier’s controversial drama follows a grieving couple as they retreat to their cabin in the woods and confront the darker side of nature.


The Best view |Comrades: A Lanternist’s Account of the Tolpuddle Martyrs

Comrades - Bill Douglas’s epic account of the Tolpuddle Martyrs

Scottish director Bill Douglas was one of the most gifted and original filmmakers British cinema has produced, yet nearly two decades after his tragically premature death at the age of 57 in 1991, his work still does not have the wider renown it deserves.

Born and raised in a bleak mining village just outside Edinburgh, Douglas struggled throughout his life to raise financing for his projects and left behind a tragically small body of work – a trilogy of three short black-and-white films chronicling his harsh upbringing: My Childhood (1972), My Ain Folk (1973) and My Way Home (1978); and one feature film: his epic account of the Tolpuddle Martyrs, Comrades (1986).

Now released for the first time on DVD in an impressive two-disc set from the Bfi (who issued an excellent DVD of the trilogy last year), Comrades tells the story of the six agricultural labourers from Dorset who were transported to Australia in 1834 after daring to form a union and ask for higher wages. (The authorities convicted them on the trumped up charges of administering illegal oaths.)

Comrades - Robin Soans plays George Loveless in Bill Douglas’s epic account of the Tolpuddle Martyrs

Douglas’s sympathy for the downtrodden and dispossessed shines from the screen. Significantly, he cast little-known actors in the film’s leading roles, though Keith Allen and Philip Davis, as two of the martyrs, and Imelda Staunton, as one of their wives, have considerably more star wattage now. Meanwhile, the better-known faces (at the time) of Vanessa Redgrave, Michael Hordern and James Fox appear in upper-class cameos on the margins of the story, with Barbara Windsor also turning up, briefly, as a print-seller’s wife.

If this makes the film sound like a piece of cosy costume drama, think again: Comrades couldn’t be more different. Douglas relates the men’s ordeal with bold visual strokes and not too many words, capturing the rhythm of the seasons and the labourers’ working lives in scenes that have the expressive power of the best of silent cinema. By the time the transported men reach Australia, the rugged expanses of the Outback only amplify their heroism and resilience.

Comrades - Bill Douglas’s epic account of the Tolpuddle Martyrs

Notwithstanding Comrades’ origins in a local story (important in British labour history but unknown to Douglas until a trip to Dorchester Museum), the film is anything but parochial. Douglas wasn’t afraid of going against the naturalist grain, placing himself closer in scope and sympathy to the cinema of continental Europe than to British social realism.

Throughout the film, in a deliberately stylised gesture, Douglas uses the character of a travelling Lanternist (played by Alex Norton) to link the narrative’s various plot strands. A protean figure who bobs up here and there in different guises, the Lanternist each time appears bearing a different optical device: Diorama, magic lantern, chromatrope, zograscope, peepshow, camera obscura. For Douglas, whose lifetime collection of such devices is now housed at the University of Exeter, these entertainments are the precursors in the art of illusionism to cinema itself.

Compelling storyteller and visual poet, Douglas was the Lanternist’s worthy heir.

Released on 27th July.

To mark the 175th anniversary of the trial of the Tolpuddle Martyrs, Bfi Southbank is screening Comrades on the big screen on Saturday 1st & Monday 3rd August.

Couch Potato gets all steamed up and asks “how important is a local cinema?”

Rialto Crystal PalaceA local cinema is very important in my opinion.I expect you’re very surprised to hear that statement coming from someone who usually writes on this blog as a lounging vegetable. But, you see, I haven’t always been a couch potato - circumstances have made me that way, and if you read on, you’ll discover why.But first of all, check out the reasons why I think every every community should have its own picture palace:-  It offers a value-for-money night out, and we’re all tightening the purse strings.-  If it’s within walking distance, it’s good for the environment too.- Regular cinema-goers increase the footfall in the local community, and hence trade in neighbouring shops, cafes, bars and restaurants.Jeff Daniels,Mia Farrow-   Both a meeting point and a point of reference, a local cinema encourages social and cultural interaction with fellow residents.Diner-  Local cinemas are great for the film industry. One of the reasons I’ve opted for a life of home entertainment is that I hate multiplexes and to visit a decent cinema of an evening involves compromising my safety travelling home when there are fewer trains.-   Local cinemas are great for local filmmakers because they provide a place to screen their movies and generate a buzz around their work.Bill Milner,Will Poulter- If all the locals are flocking to the flicks nearby, couch potatoes like me will be more inclined to get off their backsides to join them.- And, last but not least, local cinemas offer escapism from today’s harsh economic climate, just like in that Woody Allen classic The Purple Rose of Cairo.I’m sure you can think of many more reasons of your own. What’s most important to you? A chance to sing-along-a-Mamma Mia! with the local traders? The opportunity to discuss the latest Harry Potter movie with your commuting colleagues at the bus stop? The possibility that you might get a chance to enjoy watching that stroppy barmaid  from your favourite pub jumping out of her skin at the latest slasher flick?Mamma Mia! - Meryl StreepWho knows, but, the fact is, it’s all very well me painting a rosy picture of neighbourhood picturehouses, but how many towns these days actually have one?Not many.When I was a teenager, I often used to pop to the cinema during a day pottering around town. That was in my hometown in Lancashire, a town now on its knees, having lost its cinema years ago, as well as everything else that creates a sense of community and keeps locals spending locally. Maybe you’ve experienced something similar in your neck of the woods?Daniel RadcliffeDecent cinemas are few and far between, and like dementors, multiplexes have sucked all the joy out of cinema-going. I hate that multiplex ordeal, involving a depressing car ride or unpleasant bus ride to a faceless retail park with overpriced and oversized refreshments, feral kids with phones, unwelcoming popcorn-scented auditoriums, and no sense of occasion.At present, in my neighbourhood of Crystal Palace in South East London, we have no cinema. To see a film on the big screen involves getting into a car, or onto a bus or train. We residents of Crystal Palace love to support our local shops, bars and restaurants and there’s a great sense of community – unusual for London. However, when we want to go to the pictures, we’re forced to leave our beloved town and inevitably end up spending our ’going out money’ on drinks, meals and such like elsewhere.King Kong It’s incredibly frustrating because we actually have a building in our town centre with planning permission for cinema use and it was recently put up for sale when it finally had its day as a bingo hall.Furthermore, Picturehouse Cinemas were (and still are - check out their Picturehouse Cinemas  blog) very interested in this property, which was originally built as a cinema - the Rialto - back in the 1920s. They put in an offer in fact, but were outbid by a wealthy evangelical church who intend to use the building to serve a congregation living miles away in Wimbledon.Paul BettanyThis is how I looked when I heard this news:Scream 3These canny buyers have to get planning permission for church use first of course, but they may well receive it. If they do, it’s unlikely that their congregation will stick around to eat and drink in the town after attending the services. Furthermore, our already congested high streets will become even more congested, and the environment will suffer from the hundreds of cars travelling the eight miles from Wimbledon to the church every week. And of course the Crystal Palace residents will have to continue to spend their money elsewhere when they fancy a night at the flicks.Not only that, but if the planning permission is granted, the church will become the eighth church in the town – yes, we’re hardly short of churches. The name of the street the building is situated on is Church Road – get the picture?But, it’s all very well me blaaaing on about the benefits of a local cinema, spinning my sob story about how I became a remote control-wielding slob who only watches films on TV, and voicing my desire for a cinema in my area. For all you know, I may well be the only person who actually cares about this issue.Cinema ParadisoBut I can prove to you that I’m not alone in my longings for a local silver screen.”If you build it, he will come.” You remember that classic line from the classic 1980s movie Field of Dreams? It rings so true. Since we Crystal Palace residents got wind of the bingo hall purchase we’ve been lining up to petition for that desired movie house.  Over 1800 of us to date have signed a petition asking the council to consider allowing a cinema at the site and over 1800 of us have joined the Cinema for Crystal Palace Facebook group.Cinema for Crystal PalaceIf you don’t live near London, you probably don’t care too much about my local concerns. But, if you haven’t got a cinema in your town and you’d love to have one, then keep an eye on this issue (you can check out the Picture Palace Campaign website here) because the outcome may well set a precedent for other communities across the UK.What do you think - shouldn’t every  community deserve a cinema if they can prove they want one?Please share your thoughts. It would be great to get a discussion going on this.On Facebook? Connect with Movie Talk on Facebook here.

Couch Potato Pickings | Sicko

It may be difficult to get an appointment with your GP at the moment, thanks to the growing hysteria over Swine Flu, and you may be inclined to grumble about it. However, after watching this Michael Moore documentary about the American health care industry, I’m sure you’ll never moan about the NHS again.

Sicko is showing tonight on Sky Movies Indie at 7.50pm

Out on DVD | Duplicity

Duplicity - Julia Roberts & Clive Owen star in this thriller set in the world of industrial espionage

Julia Roberts and Clive Owen make a classy double act as sneaky partners in love and crime in the romantic caper thriller Duplicity.

The duo play former government spies: Owen an agent for MI6 and Roberts for the CIA. Now in business for themselves, they cook up a cunning scheme to make a financial killing out of the bitter corporate feud between rival multinational cosmetics corporations headed by Tom Wilkinson and Paul Giamatti. Playing both ends against the middle, the secret lovers plot to steal the formula for a revolutionary new product  - yet how much can they trust each other?

Duplicity - Clive Owen & Julia Roberts star in a caper thriller set in the world of industrial espionage

As the deceptions and double-crosses pile up, writer-director Tony Gilroy, co-writer of the Bourne franchise and creator of legal thriller Michael Clayton, keeps us on our toes, constantly wrong-footing the viewer with cunning misdirection and convoluted flashbacks.

But his stars never lose their heads. Owen oozes suavity and virility and Roberts, still a luminous screen icon, dazzles as his foil.

Released 27th July.

A caper about industrial espionage among cosmetics companies: doesn’t that sound like the 1967 Doris Day-Richard Harris comedy thriller Caprice? Read more.


To activate the sound in the trailer: hold your cursor over the screen to reveal the control panel and click on the volume control in the bottom right-hand corner.

Pete’s Peek | Coffin Joe Collection

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Coinciding with the DVD release of the new Coffin Joe film, Embodiment of Evil, Anchor Bay has released a five-disc box set featuring nine titles from the weird world of Brazilian director José Mojica Marins.

At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967) see Coffin Joe in all his gory; The Strange World of Coffin Joe (1968) is a trilogy of terror with no sign of Joe; while Awakening of the Beast (1970) is a perverse psychological chiller about Joe’s victims.

Also included are the non-Joe features, End of Man (1971) which sees Marins do his own take on El Topo; Strange Hostel of Naked Pleasures (1976), a great title but as bad as Ed Wood’s Orgy of the Dead; Hellish Flesh (1977), which is the classic disfigured mad scientist out for revenge story; and Hallucinations of a Deranged Mind (1978), which is not really a film, but a collection of Marins favourite scenes from his earlier movies.

For a trip into Marin’s warped mind, also included is the 2001 Sundance award-winning documentary film, The Strange World of José Mojica, which examines the director’s life and works.

Released 27 July

In Portuguese, with English subtitles